The following works by S. G. Hoyle are currently available for performance:
Trisagion
This work is available in arrangements for SSAB or SATB, unaccompanied; the Trisagion is a liturgical element which may be used in the place of a Sanctus in most settings, or as a stand-alone anthem. It is aurally challenging with crossing voices and tight suspensions, calling for a more confident choir.
Sanctus
This is bit more lively than most settings of the Sanctus; written for women's voices (SSA) and strings (2 violins plus 'cello or bass), it culminates in a bold, ringing "Hosanna."
God-Child
This is a traditional Christmas hymn, four verses with refrain, for SATB with optional piano accompaniment. Clear diction is a must with this highly narrative piece, as it tells the whole story of the Nativity from the Annunciation onward. An easily-singable piece with Flemish influences, it has been well-received by church and secular audience groups.
Hosanna!
Ideal for Palm Sunday, this round in three voices utilizes trumpets for its only accompaniment. The bright, crisp vocal lines are strengthened and highlighted by the light, fluid brass parts, but the piece also works for unaccompanied voices.
Song for Zion
Based on the Hebrew captives' lament when the Babylonians demanded songs and entertainment, this anthem (SATB with piano, flute and 'cello) is full of emotional contrasts: the 'cello weeps with the women while the flute flows lightly above; the sterner tones of the Babylonians themselves are carried by the men's voices and the keyboard.
"All Hail!" (medley)
This combines all three familiar settings of the hymn "All Hail the Power of Jesus' Name" with the beloved worship song "All Hail King Jesus." Written for SATB chorus, soprano (or tenor) solo, and piano accompaniment, it grows throughout from a mp to a rousing finale in which the choir divides, one half singing "All Hail the Power" and the other half singing "All Hail King Jesus".
Shema
The "Shema" is the foundational statement of Judeo-Christian monotheism: "Hear, O Israel: the Lord our God, the Lord is One." This SATB anthem builds, voices entering one at a time, until at the end, there is praise and honor being sung to Father, Son, and Holy Spirit, along with an affirmation that "the Lord is One." This is a "toe-tapper" anthem with an eastern-European Jewish flavor; choirs love it!
Christus Mortus Est
An a cappella motet in three voices (Alto-- really Mezzo-Soprano--, Tenor and Bass) for Good Friday, these words and their interwoven voicings are heavy with stress and anxiety. The Latin words literally mean "Christ has died for us today," and the music heaves and sighs with the message, finding little peace until the very end. This is NOT an effective large-ensemble piece; it is best performed by three single voices, or by double- or triple-trio at most.
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